Objednací číslo: 25741844 783 Kč
Na skladě u dodavatele 5 ks Na objednávku. Dodání trvá obvykle 3 týdny.
Datum vydání: 26.1.2010
Žánr POP
EAN: 0650594106321 (info)
Label: 482 Music
Obsahuje nosičů: 1
Nosič: CD
V nabídce: 3 dodavatelé, od 357 Kč KÓD: | SKLAD: | | CENA: |
25741844 | 5 ks, PL | Na objednávku. Dodání trvá obvykle 3 týdny. | 783 Kč |
39454172 | 0 ks, NR-LS | Odešleme do 14 dnů. | 357 Kč |
36827715 | 0 ks, NR-LS | Odešleme do 14 dnů. | 357 Kč |
Popis - MANY WORLDS:
The sophomore release by Loose Assembly. The band continues its evolution by working through a balance of composition and instant composing. In addition to Reed's tunes and the improvised pieces, the group covers 'Tezetayé Antchi Lidj (Baby, My Unforgettable Remembrance)' by the Ethiopian vibraphonist Mulatu Astatqe, and Max Roach's 'Garvey's Ghost'. With great ease the group moves through sonic pastoral explorations to edgy post bop and even Chicago post-rock influences. Reed says, “In the end I guess I'm still thinking about the early AACM bands like Air, as templates for what is possible.” Musicians: Nicole Mitchell (flute, voice), Josh Abrams (bass), Jason Adasiewicz (vibraphone), Mike Reed (drums & percussion), Tomeka Reid (cello), Greg Ward (alto saxophone) --- 'Despite its unusual lineup, Loose Assembly is one of Reed's more regular outlets and, accordingly, has a bubbling, organic chemistry. On its second album, the Assembly breezes through music as diverse as a cover of Ethiopian vibraphonist Mulata Astatke (airy and light, with a chugging Afro-Asian groove) and vaguely blues-drenched meditations, such as Reed’s 'Picking Up Greta.'' — Matthew Lurie, Time Out Chicago '...features Reed joined by four of Chicago's most impressive young musicians. Adasiewicz's shimmering vibes and Reid's sonorous cello lend an effervescent aura to the session's stately air, while Ward alternates pugnacious intervals with keening lyricism. Abrams' sinewy, rooted bass and the leader's carefree, yet nuanced polyrhythms provide an elastic undercurrent that veers from painterly rubato accents to intricate time signatures. An exceptional percussionist, Reed provides unwavering forward momentum even while engaged in pithy call-and-response with soloists.' — Troy Collins, AllAboutJazz.com